Sunny, a Rainha do Circo, 1941
Anna Neagle, Ray Bolger, John Carroll, Frieda Inescort
English: The beautiful Anna Neagle works as a circus artist and ends up falling in love with the son of a car dealer, but her family is against this relationship.
Portuguese: A bela Anna Neagle trabalha como artista circense e acaba se apaixonando pelo filho de um negociante de automóveis, mas sua família é contra esse relacionamento.
Assista o Filme ( Watch the Movie)
Anna Neagle Movies
Year | Title | Role | Notes |
---|---|---|---|
1929 | Those Who Love | bit part | directed by H. Manning Haynes uncredited |
1930 | The School for Scandal | Flower Seller | directed by Maurice Elvey, filmed in Raycol color process, lost film uncredited |
1930 | The Chinese Bungalow | Charlotte | directed by Arthur Barnes and J.B. Williams |
1930 | Should A Doctor Tell? | Muriel Ashton | directed by H. Manning Haynes |
1932 | Goodnight, Vienna | Viki | Neagle’s first collaboration with director Herbert Wilcox |
1932 | The Flag Lieutenant | Hermione Wynne | directed by Henry Edwards |
1933 | The Little Damozel | Julie Alardy | |
1933 | Bitter Sweet | Sarah Millick and Sari Lind | |
1934 | The Queen’s Affair | Queen Nadia | |
1934 | Nell Gwynn | Nell Gwyn | Neagle’s first major hit |
1935 | Peg of Old Drury | Peg Woffington | |
1936 | Three Maxims | Pat | Franco-British production |
1936 | Limelight | Marjorie Kaye | |
1937 | London Melody | Jacqueline | |
1937 | Victoria the Great | Queen Victoria | finale filmed in Technicolor |
1938 | Sixty Glorious Years | Queen Victoria | filmed in Technicolor |
1939 | Nurse Edith Cavell | Edith Cavell | Neagle’s first American film |
1940 | Irene | Irene O’Dare | features one sequence in Technicolor, produced in the U.S. |
1940 | No, No, Nanette | Nanette | U.S. production |
1941 | Sunny | Sunny O’Sullivan | U.S. production |
1942 | They Flew Alone | Amy Johnson | |
1943 | Forever and a Day | Susan Trenchard | U.S. production |
1943 | Yellow Canary | Sally Maitland | |
1944 | The Volunteer | herself, leaving Denham Studio | |
1945 | I Live in Grosvenor Square | Lady Patricia Fairfax | |
1946 | Piccadilly Incident | Diana Fraser | |
1947 | The Courtneys of Curzon Street | Katherine O’Halloran | |
1948 | Spring in Park Lane | Judy Howard | |
1948 | Elizabeth of Ladymead | Elizabeth | filmed in Technicolor |
1949 | Maytime in Mayfair | Eileen Grahame | filmed in Technicolor |
1950 | Odette | Odette Sansom | |
1951 | The Lady with a Lamp | Florence Nightingale | |
1952 | Derby Day | Lady Helen Forbes | |
1954 | Lilacs in the Spring | Carole Beaumont / Lillian Grey / Nell Gwynne / Queen Victoria | filmed in Eastmancolor with a black-and-white prologue |
1955 | King’s Rhapsody | Marta Karillos | filmed in CinemaScope and Eastmancolor |
1956 | My Teenage Daughter | Valerie Carr | |
1957 | No Time for Tears | Matron Eleanor Hammond | directed by Cyril Frankel, filmed in Eastmancolor |
1958 | The Man Who Wouldn’t Talk | Mary Randall, Q.C. | |
1959 | The Lady Is a Square | Frances Baring |
Sunny, a Rainha do Circo, 1941 (Sunny)